PG 11:413MONITUM AD ORIGENIS DE ORATIONE LIBELLUM.
Notice on the Treatise of Origen On Prayer.
1. Libellum De oratione ab Origene conscriptum esse testatur Pamphilus martyr in Apologia pro eodem Origene : « In tam multis, inquit, et tam diversis Origenis libris, nusquam omnino invenitur unus ab eo liber proprie de anima conscriptus ; sicut habet vel de martyrio, vel de oratione, vel de resurrectione. » Hunc porro De oratione librum, eum ipsum esse qui Oxonii anno 1686 in theatro Scheldeniano primum in lucem prodiit, neminem arbitror inficias iturum qui salis critici paululum degustaverit. Praeterquam quod enim codex Colbertinus 3607, qui insigne hujus operis fragmentum a numero 31 ad finem usque exhibet, Origeni id tribuit, certe quaelibet fere hujus libelli pagina auctorem Adamantium nostrum profitetur. Eadem ibi quae in caeteris ejus operibus, cernitur pietas, eadem humilitas, idem stylus, eaedem denique quae aut censura egent aut venia, singulares opiniones de oratione quae προσευχή dicitur, non ad Filium, sed ad solum Patrem per Filium dirigenda ; de astris animatis ; de libero ad bene vel male agendum arbitrio, quo animas quemlibet statum adeptas docet semper frui ; de perpetuo animarum ascensu ad superiora, et lapsu aa inferiora ; de futura rerum omnium in fine restitutione, proindeque diaboli forsitan ac caeterorum daemonum non desperanda salute si converti voluerint ; de sphaerica corporum in resurrectione figura, etc. Praeterea ut pleraque Origenis opera Ambrosii nomine inscribuntur, sic et libellus iste scriptus est Ambrosii et Tatianae hortatu.
1. That a treatise On Prayer was written by Origen is testified by the martyr Pamphilus in the Apology for the same Origen: "Among so many," he says, "and so diverse books of Origen, nowhere at all is there found a single book written by him properly concerning the soul, such as he has either concerning martyrdom, or concerning prayer, or concerning the resurrection." Now that this book On Prayer is the very same which first came forth into the light at Oxford in the year 1686 at the Sheldonian Theatre, I think no one will deny who has tasted a little of critical salt. For besides the fact that Codex Colbertinus 3607, which exhibits a notable fragment of this work from number 31 right to the end, attributes it to Origen, certainly almost every page of this treatise proclaims our Adamantius as its author. There is seen in it the same piety as in his other works, the same humility, the same style, and finally the same singular opinions needing either censure or pardon: concerning prayer, which is called proseuche, as to be directed not to the Son, but to the Father alone through the Son; concerning animate stars; concerning free will for acting well or ill, which he teaches that souls enjoy forever whatever state they have attained; concerning the perpetual ascent of souls to higher things and their lapse to lower things; concerning the future restitution of all things at the end, and consequently the salvation perhaps not to be despaired of for the devil and the rest of the daemons if they should be willing to be converted; concerning the spherical figure of bodies in the resurrection, etc. Besides, just as most of the works of Origen are inscribed with the name of Ambrose, so also this treatise was written at the exhortation of Ambrose and Tatiana.
2. Quis fuerit Ambrosius, norunt omnes qui de Origene nostro aliquid inaudiverunt, et de illo jam supra dictum est nota prima ad fragmentum primum Epistolarum Origenis. Quaenam vero fuerit Tatiana, vix conjecturis licet assequi. Elogia quae cum Ambrosio partitur, communia utriusque mandata, et obsequium utrique simul ab Origene praestitum summam inter illos intervenisse conjunctionem suaderent, conjugesque fuisse, nisi contra apparuisset ex epistola ad Africanum, Ambrosii uxorem Marcellam fuisse appellatam. Videtur ergo superesse, ut Tatianam in proximo conjunctionis, sororis nimirum gradu statuamus : praesertim cum ex Origenis Exhortatione ad martyrium Ambrosio in vinculis constituto inscripta, illum non modo natos atque fratres, sed et sorores habuisse constet. Quin etiam ab Origene hujus libri Περὶ εὐχῆς num. 2 describitur Tatiana tanquam provectae aetatis, nec non ipsa et Ambrosius sub finem operis γνησιώτατοι ἀδελφοὶ « fratres germani » dicuntur. Verum quanquam haec admodum probabilia sunt, non pro certis tamen haberi velim. Nihil enim vetat Ambrosii uxorem, quae in epistola ad Africanum Marcella vocatur, Tatianae quoque nomen habuisse. Neque magni momenti est quod libri Περὶ εὐχῆς num. 2 Tatiana tanquam provectae aetatis describitur, et sub finem operis ipsa et Ambrosius γνησιώτατοι ἀδελφοὶ salutantur. Nam utrobique potest figurata esse locutio, nec aliter forte ambo « germanissimi fratres » appellantur, quam in Christo, eodem prope modo quo Ambrosium ipsum fratrem suum vocat Origenes initio tom. II Commentariorum in Joannem.
2. Who Ambrose was, all know who have heard anything of our Origen, and of him we have already spoken above in the first note to the first fragment of the Epistles of Origen. Who Tatiana was, however, one may scarcely attain by conjecture. The praises which she shares with Ambrose, the joint commissions of both, and the deference paid to both together by Origen would persuade us that the closest bond existed between them, and that they were husband and wife, had it not appeared on the contrary from the epistle to Africanus that the wife of Ambrose was called Marcella. It seems therefore to remain that we should place Tatiana in the next degree of kinship, namely that of sister; especially since from Origen's Exhortation to Martyrdom, addressed to Ambrose when set in bonds, it is established that he had not only children and brothers, but also sisters. Nay more, by Origen in number 2 of this book On Prayer Tatiana is described as of advanced age, and both she herself and Ambrose towards the end of the work are called "most genuine brethren," "full brother and sister." Yet although these things are very probable, I should not wish them to be held as certain. For nothing forbids that the wife of Ambrose, who in the epistle to Africanus is called Marcella, also had the name of Tatiana. Nor is it of great weight that in number 2 of the book On Prayer Tatiana is described as of advanced age, and towards the end of the work she herself and Ambrose are saluted as "most genuine brethren." For in both places the expression may be figurative, and perhaps both are called "most genuine brethren" no otherwise than in Christ, in almost the same way in which Origen calls Ambrose himself his brother at the beginning of Tome II of the Commentaries on John.
3. De anno quo hic De oratione libellus scriptus sit, nihil certi statui potest. Id unum ex iis quae leguntur num. 23 discimus, scriptum illum esse editis jam in Genesim tomis. Cum autem octo solum priores in Genesim tomi ante annum 231, quo ex Alexandria urbe discessit Origenes, similiterque quatuor De principiis libri post primum in Genesim tomum conscripti sint, merito colligimus librum Περὶ εὐχῆς post Origenis ex Alexandria discessum elucubratum esse, et quatuor Περὶ ἀρχῶν libris esse posteriorem.
3. Concerning the year in which this treatise On Prayer was written, nothing certain can be established. This one thing we learn from what is read in number 23, that it was written after the tomes on Genesis had already been published. Now since only the first eight tomes on Genesis were written before the year 231, in which Origen departed from the city of Alexandria, and similarly the four books On First Principles were written after the first tome on Genesis, we rightly gather that the book On Prayer was composed after Origen's departure from Alexandria, and is later than the four books On First Principles.
Editors' notes and page, col. 413
Footnotes
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Page
- running head: 413 LIBELLUS DE ORATIONE. — MONITUM. 414
- marginal letters: A sibilia esse quae; B sunt. » Editi :
- old-edition numerals: 195 after conquiruntur.; 196 before 1. Libellum
- other: Latin only at top (recedere, ab hominibus...); editors' matter: MONITUM AD ORIGENIS DE ORATIONE LIBELLUM.
- misprint kept as printed: "lapsu aa inferiora" (for ad), §1
- other: the column opens with the end of the previous work (another unit); not set here: the unit begins at MONITUM AD ORIGENIS DE ORATIONE LIBELLUM