hoc, dilectissimi, nostra infirmitate, aut hebetudine vel obtusitate, sed sua ipsius virtute et subtilitate. Unde sancta illa, et sublimia, et pennata seraphim alis quae volatum significant contemplationis, visa sunt velare faciem ejus et pedes, quatenus non velet eis principium et finem sua ignorantia, sed Dei incomprehensibilis supersapientia. Sicut enim nihil videndo tenebras invisibiles videmus, et inaudibile silentium nihil audiendo audimus: sic nimirum superabundantem et intolerabilem lucem non videndo nec tolerando, videmus invisibilem, non quidem caeci, sed a lumine superati. Vere, Domine, exercitatus sum ad quaerendum te, et defecit, non a te, sed in te spiritus meus. Concupiscit et deficit anima mea in atria tua; deficit spiritus, intuendo quem concupiscit, deficit et liquefit anima, delectando in eo quem conspicit. Attamen ex delectatione animatus, semper et recens, avidusque ad intuendum, et ex intuitu adjutus ad delectandum; quasi duabus mediis alis in te feror, in quem desiderant angeli prospicere. Unde, cum sim cinis et pulvis, quoniam semel coepi, adhuc interrogabo te, de te, unum sermonem, id est, cum sis fons et origo praedictorum. Quomodo hoc es? Hoc ideo, fratres, quaerendum putamus, quoniam haec dissimiliter accipi posse, haud ignoramus. Est enim principium et origo fluminis fons; sed ejusdem naturae, et eadem aqua, quae fluit, agnoscitur cum illa, unde fluit. Similiter principium arboris radix, et omnis speciei principium, suum genus. Est etiam principium germinis semen, seminis seminarium, seminarii elementa, elementorum ipsa, quae dicitur, silva, seu hyle primordialis: ac in his omnibus, et quae hujusmodi sunt, naturale principium speculantes, ubi quasi de capite corpus, vel similia de similibus, aut de naturalibus causis causata, quasi natura producit, superattendimus omnem opificem sui operis esse principium. Verumtamen alius praevenit et excellit ipsam naturam; alius vero solum imitatur eam. Et is quidem semper aliquid de aliquo ordiens, naturae imaginem in aliquo opere non excedit: verbi gratia de auro nonnisi aureum, de lapide lapideum, de ligno ligneum operari aut facere potis est; quia imitator tantum naturae est. In cujuscunque autem opere, cum tria semper inveniantur necessario, materia, forma et causs, id est unde, qualiter et quare fiat, annumerato ipso, a quo fit, id est opifice: quatuor occurrunt necessario diversa principia, materiale, formale, finale et efficiens. Qui vero aliquid sumere de nihilo, aut sumptum in nihilum vertere, aut in diversam speciem aliquid demutare, sine additamento augere, sine demptione minuere potens est, manifeste ante naturam, et supra naturam opifex, etiam auctor naturae est, et ab omni quod operatur, necessario dissimilis naturae est. Cum igitur tot modis, quot in praesentiarum occurrit, dici principium, aut fons, sive origo possit, is qui caeteris dignior, et sublimior excellentiorque modus
this, dearly beloved, by our weakness, or dullness or obtuseness, but by His own power and subtlety. Hence those holy and sublime and winged seraphim, with wings that signify the flight of contemplation, were seen to veil His face and feet, inasmuch as it was not their own ignorance that veiled from them the beginning and the end, but the super-wisdom of the incomprehensible God. For as by seeing nothing we see invisible darkness, and by hearing nothing we hear inaudible silence, so surely, by not seeing and not bearing the superabundant and unbearable light, we see Him who is invisible — not indeed as blind men, but as men overcome by the light. Truly, O Lord, I have laboured in seeking Thee, and my spirit has failed, not away from Thee but in Thee. My soul longs and faints for Thy courts; the spirit faints in gazing on Him whom it longs for; the soul faints and melts in delighting in Him whom it beholds. Yet, quickened by delight, ever fresh and eager to gaze, and helped by gazing to delight, I am borne as on two middle wings towards Thee, into whom the angels desire to look. Hence, though I am dust and ashes, since I have once begun, I will yet ask Thee one word about Thyself: that is, since Thou art the fount and origin of the things aforesaid, how art Thou this? This, brethren, we think must be asked because we are well aware that these things can be taken in different ways. For a spring is the beginning and origin of a river; but the water that flows is recognized as of the same nature with, and the same as, that from which it flows. Likewise the root is the beginning of the tree, and its genus is the beginning of every species. The seed too is the beginning of the shoot, the seed-bed of the seed, the elements of the seed-bed, and of the elements that which is called silva, or primordial hyle: and in all these, and in whatever is of this kind, contemplating the natural beginning, where nature brings forth, as it were, the body from the head, or like from like, or effects from natural causes, we further observe that every craftsman is the beginning of his own work. Yet one craftsman goes before and surpasses nature itself, while another only imitates it. The latter, always beginning something from something, does not in any work exceed the image of nature: for example, from gold he can work or make only what is golden, from stone what is of stone, from wood what is wooden; because he is only an imitator of nature. In the work of anyone whatever, since three things are always necessarily found — matter, form and cause, that is, from what, in what manner and why it is made — when he himself by whom it is made, that is the craftsman, is counted in, four diverse principles necessarily occur: the material, the formal, the final and the efficient. But he who is able to take something from nothing, or to turn what was taken into nothing, or to change something into a different species, to increase without addition, to diminish without subtraction, is manifestly a craftsman before nature and above nature, indeed the author of nature, and is necessarily of a nature unlike everything that he works. Since, then, one may be called beginning, or fount, or origin, in as many ways as occur for the present, that way which is worthier than the rest, and more sublime and more excellent,