Migne Reading Room

PL 6 · cols. 1–6

Patrologiae cursus completus, series Latina, tomus VI, tituli

Editors' preface

PL 6:1
PATROLOGIAE
Of Patrology
CURSUS COMPLETUS
A Complete Course
SIVE
or
BIBLIOTHECA UNIVERSALIS, INTEGRA, UNIFORMIS, COMMODA, OECONOMICA,
a universal library, entire, uniform, convenient, economical,
OMNIUM SS. PATRUM, DOCTORUM SCRIPTORUMQUE ECCLESIASTICORUM
of all the holy Fathers, Doctors and ecclesiastical writers
QUI AB AEVO APOSTOLICO AD USQUE INNOCENTII III TEMPORA FLORUERUNT,
who flourished from the apostolic age right up to the times of Innocent III,
RECUSIO CHRONOLOGICA OMNIUM QUAE EXSTITERE MONUMENTORUM CATHOLICAE TRADITIONIS PER DUODECIM PRIORA ECCLESIAE SAECULA,
a chronological reprinting of all the monuments of Catholic tradition that have existed through the first twelve centuries of the Church,
JUXTA EDITIONES ACCURATISSIMAS, INTER SE CUMQUE NONNULLIS CODICIBUS MANUSCRIPTIS COLLATAS, PERQUAM DILIGENTER CASTIGATA;
most diligently corrected according to the most accurate editions, collated with one another and with a number of manuscript codices;
DISSERTATIONIBUS, COMMENTARIIS LECTIONIBUSQUE VARIANTIBUS CONTINENTER ILLUSTRATA;
illustrated throughout with dissertations, commentaries and variant readings;
OMNIBUS OPERIBUS POST AMPLISSIMAS EDITIONES QUAE TRIBUS NOVISSIMIS SAECULIS DEBENTUR ABSOLUTAS, DETECTIS, AUCTA;
enlarged with all the works discovered after the completion of the most ample editions which we owe to the three most recent centuries;
INDICIBUS PARTICULARIBUS ANALYTICIS, SINGULOS SIVE TOMOS, SIVE AUCTORES ALICUJUS MOMENTI SUBSEQUENTIBUS, DONATA;
furnished with particular analytical indexes following each of the volumes, or each author of any importance;
CAP⟨I⟩TULIS INTRA IPSUM TEXTUM RITE DISPOSITIS, NECNON ET TITULIS SINGULARUM PAGINARUM MARGINEM SUPERIOREM DISTINGUENTIBUS SUBJECTAMQUE MATERIAM SIGNIFICANTIBUS, ADORNATA;
adorned with chapters duly arranged within the text itself, and also with titles marking the upper margin of the individual pages and indicating the subject matter;
OPERIBUS CUM DUBIIS TUM APOCRYPHIS, ALIQUA VERO AUCTORITATE IN ORDINE AD TRAD⟨I⟩TIONEM ECCLESIASTICAM POLLENTIBUS, AMPLIFICATA;
amplified with works both doubtful and apocryphal, which nevertheless carry some authority in relation to ecclesiastical tradition;
DUOBUS INDICIBUS GENERALIBUS LOCUPLETATA: ALTERO SCILICET RERUM. QUO CONSULTO, QUIDQUID UNUSQUISQUE PATRUM IN QUODLIBET THEMA SCRIPSERIT UNO INTUITU CONSPICIATUR; ALTERO SCRIPTURAE SACRAE, EX QUO LECTORI COMPERIRE SIT OBVIUM QUINAM PATRES ET IN QUIBUS OPERUM SUORUM LOCIS SINGULOS SINGULORUM LIBRORUM SCR⟨I⟩PTURAE TEXTU⟨S⟩ COMMENTATI SINT.
enriched with two general indexes: namely, one of subjects, by consulting which whatever each of the Fathers wrote on any theme whatever may be seen at a single glance; the other of Sacred Scripture, from which it is easy for the reader to find out which Fathers, and in which passages of their works, have commented on the individual texts of the individual books of Scripture.
EDITIO ACCURATISSIMA, CAETERISQUE OMNIBUS FACILE ANTEPONENDA, SI PERPENDANTUR: CHARACTERUM NITIDITAS, CHARTAE QUALITAS, INTEGRITAS TEXTUS, PERFECTIO CORRECTIONIS, OPERUM RECUSORUM TUM VARIETAS TUM NUMERUS, FORMA VOLUMINUM PERQUAM COMMODA SIBIQUE IN TOTO OPERIS DECURSU CONSTANTER SIM⟨I⟩LIS. PRETII EXIGUITAS, PRAESERTIMQUE ISTA COLLECTIO, UNA, METHODICA ET CHRONOLOGICA, SEXCENTORUM FRAGMENTORUM OPUSCULORUMQUE HACTENUS HIC ILLIC SPARSORUM, PR⟨I⟩MUM AUTEM IN NOSTRA B⟨I⟩BLIOTHECA, EX OPERIBUS AD OMNES AETATES, LOCOS, LINGUAS FORMASQUE PERTINENTIBUS, COADUNATORUM.
A most accurate edition, easily to be preferred to all others, if one weighs: the clarity of the type, the quality of the paper, the integrity of the text, the perfection of the correction, both the variety and the number of the works reprinted, the form of the volumes, most convenient and constantly uniform throughout the whole course of the work, the smallness of the price, and above all this collection, single, methodical and chronological, of six hundred fragments and minor works hitherto scattered here and there, but now for the first time gathered together in our library from works belonging to all ages, places, languages and forms.
SERIES PRIMA,
First Series,
IN QUA PRODEUNT PATRES, DOCTORES SCRIPTORESQUE ECCLESIAE LATINAE A TERTULLIANO AD GREGORIUM MAGNUM.
in which appear the Fathers, Doctors and writers of the Latin Church from Tertullian to Gregory the Great.
ACCURANTE J.-P. MIGNE, Cursuum Completorum IN SINGULOS SCIENTIAE ECCLESIASTICAE RAMOS EDITORE.
Edited by J.-P. Migne, editor of the Complete Courses in each branch of ecclesiastical science.
PATROLOGIAE TOMUS VI.
Volume VI of the Patrology.
SS. PP. MARCELLINI, MARCELLI, EUSEBII ET MELCHIADIS; ANONYMI, CELSI, TOMUS UNICUS.
Of the holy popes Marcellinus, Marcellus, Eusebius and Melchiades; of an Anonymous author, of Celsus, the single volume.
LACTANTII TOMUS PRIMUS.
Of Lactantius, the first volume.
PARISIIS, EXCUDEBAT SIROU,
At Paris, Sirou printed it,
IN VIA DICTA D'AMBOISE, PRES LA BARRIERE D'ENFER, OU PETIT-MONTROUGE. 1844.
in the street called d'Amboise, near the Barrière d'Enfer, or Petit-Montrouge. 1844.
Editors' notes and page, col. 1

Page

  • running head: (none; title page)
  • marginal letters: (none)
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  • other: editors' matter: whole page is Migne's title page (PATROLOGIAE CURSUS COMPLETUS), set in full; JUXTA read from a blurred first letter group, UNSURE; damaged letters supplied in CAP⟨I⟩TULIS, TRAD⟨I⟩TIONEM, SCR⟨I⟩PTURAE, TEXTU⟨S⟩, SIM⟨I⟩LIS, PR⟨I⟩MUM, B⟨I⟩BLIOTHECA; stop after RERUM and after SIMILIS read as full points, possibly commas, UNSURE; Cursuum Completorum printed in blackletter; ornamental rules, a handwritten mark before PARISIIS and the "Digitized by Google" / Cyrillic OCR stamp not set; overlap lines (PRIORA ECCLESIAE SAECULA; SERIES PRIMA) set once
PL 6:2
Editors' notes and page, col. 2

Page

  • other: col 2 is the right-hand number of a full-width page, set whole under col 1 (corpus full_width rule); nothing of its own: pointer only
PL 6:3
Editors' notes and page, col. 3

Page

  • running head: (none)
  • marginal letters: (none)
  • old-edition numerals: (none)
  • other: No Migne print in this column. The image shows a library leaf in the scanned copy: a small star-shaped stamp, and a handwritten accession note in English (a dated bequest from James Walker, President of Harvard) cut off at the right edge, plus "Digitized by" at the foot. None of this is author's text or editors' matter, so no source paragraph is set. Check whether this leaf should count as col. 3 at all, or whether the column numbering is off by a leaf.
PL 6:4
Editors' notes and page, col. 4

Page

  • running head: (none)
  • marginal letters: (none)
  • old-edition numerals: (none)
  • other: No Migne print in this column. It is the right half of the same library leaf as col. 3: the rest of the handwritten English accession note (1875, March 22; bequest of James Walker, D.D., LL.D., H.U. 1814, President of Harvard University), a stray ink mark, and the digitizer's watermark at the foot ("Digitized by Google", plus a Russian OCR credit, ABK/FR). None of it is author's text or editors' matter, so no source paragraph is set. Cols 3/4 look like a flyleaf, not a Migne page. Check the column numbering here.
PL 6:5
LUCII CAECILII FIRMIANI
Of Lucius Caecilius Firmianus
LACTANTII
Lactantius
OPERA OMNIA,
the complete works,
AD PRAESTANTISSIMAM LENGLETII-DUFRESNOY EDITIONEM EXPRESSA; BUNEMANNI, O. F. FRITZCHE, N. LE NOURRY CUM EMENDATIONIBUS TUM DISQUISITIONIBUS CRITICIS AUCTA:
printed after the most excellent edition of Lenglet-Dufresnoy; enlarged with both the emendations and the critical disquisitions of Bünemann, O. F. Fritzche and N. Le Nourry:
EDITIO NOVISSIMA,
the newest edition,
QUAE OMNIUM INSTAR ESSE POTEST, AD OCTOGINTA ET AMPLIUS MSS. CODICES EDITOSQUE QUADRAGINTA COLLATA NOTISQUE UBERIORIBUS ILLUSTRATA.
which can stand in the place of all the others, collated with more than eighty manuscript codices and forty printed editions, and illustrated with fuller notes.
PRAECEDUNT
There precede
S. MARCELLINI PAPAE, S. MARCELLI PAPAE, S. EUSEBII PAPAE, S. MELCHIADIS PAPAE, ANONYMI, CELSI, OMNIA QUAE EXSTANT
of St Marcellinus, Pope, St Marcellus, Pope, St Eusebius, Pope, St Melchiades, Pope, of an Anonymous author and of Celsus, all the extant
FRAGMENTA.
fragments.
HORUM TOMUS UNICUS,
Of these, the single volume;
LACTANTII TOMUS PRIMUS.
of Lactantius, the first volume.
PARISIIS
At Paris
EXCUDEBAT SIROU,
Sirou printed it,
IN VIA DICTA D'AMBOISE, PRÈS LA BARRIÈRE D'ENFER,
in the street called d'Amboise, near the Barrière d'Enfer,
OU PETIT-MONTROUGE. 1844.
or Petit-Montrouge. 1844.
Editors' notes and page, col. 5

Page

  • running head: (none)
  • marginal letters: (none)
  • old-edition numerals: (none)
  • other: editors' matter: the volume's title page, centred across the full page (cols 5/6), set whole here under its left column. The first draft set only four lines (PRAECEDUNT; PARISIIS; OU PETIT-MONTROUGE.; 1844.); QA Q1 (2026-11-02) set the other thirteen lines, reading the left halves on the col. 5 images and the right-hand ends on the col. 6 images, which show the same page. Short lines that continue one sense unit are joined into one paragraph (AD PRAESTANTISSIMAM … AUCTA:; QUAE OMNIUM … ILLUSTRATA.). FRITZCHE is set as printed (the scholar's name is Fritzsche). The page prints PRÈS LA BARRIÈRE with accents, set as printed. The page prints a stray speck after the last PAPAE, (read as a comma only). A handwritten annotation ("...nal.") at the top, a small printed circle mark at upper left, the ornamental rules, and the "Digitized by Google" / Cyrillic OCR watermark at the foot are not set.
PL 6:6
Editors' notes and page, col. 6

Page

  • running head: (none)
  • marginal letters: (none)
  • old-edition numerals: (none)
  • other: This column has no text of its own. The image is the RIGHT HALF of the volume's title page (Lactantius, Opera omnia, Tomus unicus, Tomus primus, Parisiis 1844), which is centred across the whole page and was already set whole under col. 5 (imported). To avoid setting it twice, nothing is set here. The right-hand ends of the title lines show here, so the settle step can use this image to check col. 5's line ends, in particular the cut-off author line the volunteer flagged (its right half, ending FIRMIANI, is fully legible here) and the imprint lines (… PRÈS LA BARRIÈRE D'ENFER, … MONTROUGE, 1844). There is also a handwritten library mark at the top edge, part of an accession note and not print, and the digitizer's watermark at the foot. Neither is set.